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Not everything has to be very detailed and a great thesis. And if you can’t be more detailed, then that’s OK. It brought me and my friend together, or something… Some people need you to say black and white should live together, brother. But the opposite is, though, I have letters from people who say that ‘Ebony and Ivory’ is good. The thing with the Falklands, there’s a kind of military resurgence, and with the riots and stuff, there was some kind of racist resurgence… I’ve just got to do those songs, whether they’re too simple or not. I don’t think you shouldn’t have defence, but you really should be aiming for peace. I mean, if I was doing a simplistic approach for catching mice, or something that didn’t matter, but it really matters! It’s like what’s so funny ’bout peace, love and understanding? I mean, it’s still that one The Government now have got very anti-CND. it would worry me if I wasn’t singing about peace and racial harmony. There had been criticisms of naivety and simplicity in Paul’s material, with critics particularly singling out “Ebony and Ivory.” What was his reaction to those critics? “ Well. The official reason for the song’s ban was because Stevie Wonder accepted his 1984 Academy Award for Best Original Song “in the name of Nelson Mandela.” “Ebony and Ivory” was banned in South Africa by the South African Broadcasting Corporation during the Apartheid era, making it the only song McCartney released in his solo career to receive such a ban. The song and video were parodied in a commercial for the 2008 season of the USA Network show Psych. The phrase, “Keyboard, Oh Lord! Why Don’t We?” was used for the title of the third album by Norwegian stoner rock band Thulsa Doom. In October 2007, it was named the worst duet in history by BBC 6 Music listeners. The song was derided as “saccharine” and was later named as the tenth worst song of all time by Blender magazine. In 2013, it was ranked #69 on the Billboard list of the Hot 100 songs of all-time. In 2008, the song was ranked at #59 on Billboard’s Greatest Songs of all time.
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It was McCartney’s record 28th song to hit number one on the Billboard 100. It marked the first time that any single released by any member of the Beatles hit the Billboard R&B chart. For McCartney, the song’s run atop the chart was the longest of any of his post-Beatles works, and second longest career-wise (behind “ Hey Jude” with The Beatles) for Wonder, it was his longest-running chart-topper. 1 on the Billboard Hot 100, and was the fourth-biggest hit of 1982. “Ebony and Ivory” spent seven weeks at No. The b-side of the single, the song “Rainclouds”, is written by Paul McCartney and Denny Laine, though on early pressings of the single the song was credited only to McCartney. Written by McCartney alone, the song was performed live in the studio by both McCartney and Wonder, though due to conflicting work schedules, both recorded their parts for the song’s music video separately (as explained by McCartney in his commentary for The McCartney Years 3-DVD boxed set). It was popularised by James Aggrey in the 1920s, inspiring the title of the pan-African journal The Keys, but was in use from at least the 1840s.
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The title was inspired by McCartney hearing Spike Milligan say “black notes, white notes, and you need to play the two to make harmony, folks!”. BackgroundĪt the simplest level, the song is about the ebony (black) and ivory (white) keys on a piano, but also deals with integration and racial harmony on a deeper, human level. In 2013, Billboard Magazine ranked the song as the 69th biggest hit of all-time on the Billboard Hot 100 charts.
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It reappears on McCartney’s All the Best! hits compilation (1987), and also on the UK two-disc version of Wonder’s The Definitive Collection greatest hits compilation (2002). A self-empowerment hit that tackles issues of racial equality, the song reached number one on both the UK and the U.S. The song is featured on McCartney’s album Tug of War. It was released on March 29 of that year. “ Ebony and Ivory” is a 1982 number-one single by Paul McCartney and Stevie Wonder. Paul McCartney in “ Conversations With McCartney“, by Paul Du Noyer You find yourself justifying your successes. I can see what they’re talking about But for Christ’s sake it was number one, you know? It did something. They didn’t like ‘Ebony and Ivory’, the critics.